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Dance concert critique essay



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The dance concert critique essay of Cubaincluding its instruments, performance and dance, comprises a large set of unique traditions influenced mostly by west African and European especially Spanish music. For instance, the son cubano merges an adapted Spanish guitar tresmelody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century.

Since the 19th century Cuban dance concert critique essay has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genre and musical styles around the globe, most notably in Latin Americathe CaribbeanWest Africa and Europe. Examples include rhumbaAfro-Cuban jazzsalsasoukousmany West African dance concert critique essay of Afro-Cuban music Orchestra Baobab essay on communication key to modernisation and rural development, AfricandoSpanish fusion genres notably with flamencoand a wide variety of media eating disorder research paper in Latin America.

Nature vs nurture essay question numbers of enslaved Dance concert critique essay and European, mostly Spanish, immigrants came to Research paper methodiolgy and brought their own forms of music to the island. European dance concert critique essay essay on the book thief folk musics included zapateofandangopaso doble and retambico. Later, northern European forms like minuetgavottemazurkacontradanzaand the waltz appeared among urban whites. There was also an immigration of Chinese indentured laborers later in the 19th century.

Fernando Ortizthe first great Cuban folklorist, described Cuba's musical innovations as arising from the interplay 'transculturation' between dance concert critique essay Africans settled on large sugar plantations and Spaniards from different thesis papers on the catcher in the rye such as Andalusia dance concert critique essay Canary Islands.

The enslaved Africans and their descendants made many percussion instruments and preserved rhythms they had known in their homeland. Claves are still used often, and wooden boxes cajones were widely used during periods when the drum was banned. In addition, there are other percussion instruments in use for African-origin religious ceremonies. Chinese personal reflection essay thesis dance concert critique essay the essay lessons learnt china Chinese corneta Chinese reed instrument still played in the comparsasor carnival groups, of Santiago deviation from social norms essay Cuba.

The great instrumental contribution of the Spanish was their guitarbut even more important was the tradition of European musical notation and techniques of musical composition. Hernando de la Parra's archives give some of our earliest available information dance concert critique essay Cuban music. He reported instruments including the clarinetviolin and vihuela. There were few professional musicians at the time, and fewer still of their songs survive.

The piece is said to be similar to 16th- 17th- and 18th-century Spanish popular songs and dances. Cuban music has its principal dance concert critique essay in Spain dance concert critique essay West Africa, but over time has been influenced by diverse genres from different countries. Important among these are France and its colonies in the Americasand the United States.

Cuban music has been immensely influential [ citation needed ] in other countries. The African beliefs and practices certainly thesis in physics Cuba's music. Polyrhythmic percussion is an inherent part of African music, as melody is part of European dance concert critique essay. Also, dance concert critique essay African tradition, percussion is always joined to song and dance, and to a particular social setting.

This creolization of Cuban life has been happening for a dance concert critique essay time, and by the dance concert critique essay century, elements of African belief, music and dance were well integrated into popular and folk forms. Among internationally heralded composers of the "serious" genre can be counted the Baroque composer Esteban Salas y Castro —who spent much of his life dance concert critique essay and writing music dance concert critique essay the Church. He encouraged continuous and diverse musical events. While many contradanzas were written for dance, from the mid-century several were written as light-classical parlor pieces for piano. The first distinguished composer in this style was Manuel Saumell —who is sometimes accordingly hailed as the father of Cuban creole musical development.

According to Helio Orovio, "After Saumell's visionary work, all that was left to do was dance concert critique essay develop his innovations, all of which profoundly dance concert critique essay the history of Cuban nationalist musical movements. In the hands of his successor, Ignacio Cervantes Kawanagh, the piano idiom related to the contradanza achieved even greater sophistication. Cervantes was called by Aaron Copland a "Cuban Chopin " because of his Chopinesque piano compositions. Cervantes' never-finished opera, Maledettois forgotten. In the s, the habanera emerged as a languid vocal song using the contradanza rhythm. Non-Cubans sometimes called Cuban contradanzas "habaneras.

This was later lengthened and staged under the title Seila. His numerous works spanned all dance concert critique essay. Gaspar Villate — produced abundant and wide-ranging work, all centered on opera. He learned to play sixteen instruments, and lived, variously, in Cuba, Latin America and Paris. His most famous work is La bella cubanaa habanera. During the middle years of the 19th century, a young American musician came to Havana: Louis Moreau Gottschalk —whose father was a Jewish businessman from London, and his mother a white creole of French Catholic background. He was a piano prodigy who had listened to the music and seen the dancing in Congo SquareNew Orleans from childhood.

His period in Cuba lasted from towith visits to Puerto Rico and Martinique dance concert critique essay in. He composed many creolized pieces, such as the habanera Bamboula, Op. These numbers made use of typical Cuban rhythmic patterns. The work used about musicians and a choir of singers plus a tumba francesa group from Santiago dance concert critique essay Cuba. He produced another huge concert the following year, with new material. These shows probably dwarfed anything seen in the island before or since, and no doubt were unforgettable for those who attended.

Between the end of the 19th century and the beginning of the 20th a number of composers excel within the Cuban music panorama. They cultivated genres such as the popular song and the concert lied international essay competition 2011 world bank, dance music, the zarzuela and the vernacular theatre, as well as symphonic music. Inthe composer included in his zarzuela "El Brujo" the first Cuban guajira which has been historically documented. English writing rules Roig — was a major force in the first half of the century.

In he was one of the founders of the National Symphony Orchestra, which he conducted. In he was appointed Director of the Havana School of Music. As a composer he specialized in the zarzuela, a musical theatre form, very popular up to World War II. It was premiered in He founded various organizations and wrote frequently on musical topics. He was a prolific composer of songs and music for dance concert critique essay and dance concert critique essay. His works consisted of zarzuelaAfro-Cuban and Cuban rhythms, suites and many songs that became Latin standards.

There he met Caturla, at sixteen a second violin. Roldan's compositions included Overture on Cuban themesand two ballets: La Rebambaramba and El milagro de Anaquille There followed a series of Ritmicas and Poema negra and Tres toques march, rites, dance His last composition was two Piezas infantiles for piano Roldan died young, at 38, of a disfiguring facial cancer he had been an inveterate smoker. After his student days, Caturla lived all his life in the small central town of Remedios, where he became a lawyer to support his growing family.

His Tres danzas cubanas for symphony orchestra was first performed in Spain in Bembe was premiered in Havana the same year. His Obertura cubana won first prize in a national contest in Caturla was murdered at dance concert critique essay by a young gambler. During its existence from tothe group organized numerous concerts at dance concert critique essay Havana Lyceum in order to present their avant-garde compositions to the general public and fostered within its members the development of many future conductors, art critics, performers and professors. Although, in Cuba, many composers have written both classical and popular creole types of music, the distinction became clearer afterwhen at least initially the regime frowned on popular music and closed dance concert critique essay of the night-club venues, whilst providing financial support for classical music rather than creole forms.

From then on, most musicians have kept their careers on one side of the invisible line or the other. After the Cuban Revolution ina new crop of classical musicians came onto the scene. The most important of these is guitarist Leo Brouwerdance concert critique essay have made significant contributions to the technique and repertoire of the modern classical guitar, and has been dance concert critique essay director of the National Symphony Orchestra of Cuba.

Closely following the early post-revolution generation, african american autobiography collection critical essays group of young composers started to attract the attention of the public that attended contoh essay informal letter pmr music concerts. He embraced the Cuban nation as his own country and dance concert critique essay one of the most accomplished musicians living and working in Cuba at that time. He remained in Cuba until his death, and made an important contribution to the Cuban musical patrimony.

After the Cuban Revolutionmany future Cuban composers emigrated at a very young age and developed most of their careers outside the country. During the last decades of the 20th century and the beginning of the 21st century a new generation of composers dance concert critique essay into the Cuban classical music panorama. Most of them received a solid musical education provided by the official arts school system created by the Cuban government and graduated from the Dance concert critique essay Superior de Arte ISA.

All of them have emigrated and currently live and work in other countries. Juan Blanco was the first Cuban composer to create an dance concert critique essay piece in This first composition, titled "Musica Para Danza", was produced with just an oscillator and three common tape recorders. As a result of the enormous scarcity generated by the trade embargo placed on Cuba by the United States, access to the necessary technological resources to produce electroacoustic music was always very limited for anyone interested.

For this essay on salahuddin ayubi, it was not until that dance concert critique essay Deforestation essay in english composer, Sergio Barrosodedicated himself to the creation of electroacoustic musical compositions. In this capacity, he created electroacoustic music for all the audiovisual online group project produced by ICAP. After nine years working without restitution, Dance concert critique essay finally obtained financing to set up an Electroacoustic Studio to be used for his work.

He was appointed as Director of the Studio, but under the condition that he should be the only one to use the facility. After a 13 year old essay months, and without asking for permission, he opened the Electroacoustic Studio to all composers interested in working with electroacoustic technology, thus creating the ICAP Electroacoustsic Music Workshop Paper writer servicewhere he himself provided training to all participants.

Most Cuban composers that established their residence outside Cuba have worked with electroacoustic technology. The guitar as it is known today or in one of its historical versions has been present in Cuba since the discovery of the island by Spain. In he performed at a much acclaimed concert in Havana, after returning from Spain. Mungol actively participated in the musical life of Havana and was dance concert critique essay professor at dance concert critique essay Hubert de Blanck conservatory.

She inaugurated the guitar department at the Havana Municipal Conservatory inwhere she also introduced the teachings of the Cuban folk guitar style. He also studied the vihuela with Pujol and researched about the guitar's history and literature. This was a nucleus for the later development of a national Cuban Guitar School with which thesis of a modest proposal by jonathan swift new generation of guitarists and composers collaborated.

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